
Kita wrote and illustrated her first work, Cindersmella, at the age of six. It was swiftly and cruelly rejected by publishers. The sequels, Repunsmell and Mouldilocks were equally badly received.
Disheartened, she turned her attention to making stuff and, luckily, they did degrees in that. After getting one she built sets for TV shows - but the feeling that she should write funny books for children never went away.
Kita graduated from the Bath Spa MA in Writing for Young People in 2017 and the opening of Grandma Dangerous appeared in their 2016 anthology.
She lives in Oxfordshire with four daughters and a hamster.

Our chat with Kita...
I did attempt a novel in the early days (Dystopian boarding school adventure set in 1980’s Stevenage) but soon realised the ‘writing’ part of being a writer required an awful lot of effort. I concentrated instead on comic-verse, which was fun, and didn’t take as long. Every now and then, the local paper would print one of my works in exchange for a postal-order. (Kids of today looking blankly at each other there.)
Postal-orders were never going to pay a mortgage, though, so I put my writerly ambitions to one side and became an animator, then a lecturer.
In 2001, about to leave work for maternity leave, I was hit by a joyous thought. No more nine to five! This would be my moment. I could resurrect my dream. I would write while my child slept!
Four non-sleeping babies and not a single word written thirteen years later, I decided to get my act together. It was now or never. I applied for an MA in Writing for Young People at Bath Spa University – and there - once over the disappointment of being told the comic-verse market was already cornered – I started to write, properly.
It all went far better than expected and I am now an official author. Though I haven’t been invited to any house parties yet.
I hadn’t spotted ‘FORTUNE-TELLING DOG’ on anyone’s wish lists, so I wasn’t expecting my story to generate much interest. When several agents asked to see the full, I got into a right flap. I’d been busy moving house and had slacked off a bit on the ‘finishing of the manuscript’ – which, by all accounts, is quite important when submitting.
As agents are scary I didn’t want to admit it wasn’t all polished and ready and awaiting their call so I pretended I was away and then spent three days frantically re-doing the dodgy bits.
Once I’d sent it off, I assumed I wouldn’t hear anything for ages - but Kate, from The Viney-Shaw Agency, e-mailed me back almost immediately. She said lots of nice things about my book, and offered to represent me.
I’m always suspicious when things seem too good to be true, but when I met her in London a week later she was definitely a real agent. Not only was she wearing a pashmina, she was brandishing a contract WITH MY NAME ON IT. The excitement!!!
All the advice says you should take your time deciding who to sign with – but I didn’t as Kate was really funny and generally fabulous and also, she bought me a very large cake.
She also said, when I mentioned school visits. ‘If you come to my school, I’m taking the day off.’
Hey ho.
I have four daughters - three teens and a tween. They are very needy. The things they need are important, of course. They would not dream of interrupting otherwise.
Snacks, money, lifts, nail-glue, cakes for the cake sale that afternoon, someone to pay for the pizza, a signature on a form they lost three weeks ago that is due in school yesterday, an opinion on their latest piercing. The list is endless. Their needs intensify if my study door is shut.
(The only thing they don’t need is advice. Funny that.)

Ollie's dad is missing - but Grandma Dangerous is on the case! She has a hot-air balloon, thirty packets of biscuits and a pooch with magical powers (she says).
But as they sail through the skies, Ollie realises they're not just on a rescue mission...
Grandma's on the run!
"Thrills! Biscuits! This book has it all" Andy Riley, author of King Flashypants
Twitter: @kitamitchell



